Aug 27, 2003 Online Since 1996 Vol 77 No. 2

Special to The Appalachian
Kevin DeLury
Entertainment Beat Writer
The Dillinger Escape Plan
Irony is A Dead Scene
Epitaph
   After the release of their watermark album “Calculating Infinity,” The Dillinger Escape Plan had people in the underground community listening with rapt attention. Dillinger came forth with a style that has been described as “math-core” or “smart metal”: a full-on audio assault of the senses.
   Although it may seem like pure white noise on the first listen, after further listening one can find a combination that approaches musical genius.
   Now forced to follow up “Calculating Infinity,” Dillinger has enrolled the vocal talents of the man of a thousand bands, Mike Patton. Patton’s background includes singing for groups such as Tomahawk, Fantomas, Loveage, Mr. Bungle, and most notably, Faith No More.
   From the first note of the album, it’s plain to see this is Patton’s show, and Dillinger is simply providing the background music.
   Teamed with Patton, Dillinger’s heavier parts get pushed into new realms of complexity, only to take a hairpin turn into soft melodic crooning that is purely Patton.
   This album succeeds where other Dillinger albums have fallen short: On “Irony is a Dead Scene,” you can actually nod your head and sing along, at least for a little while. In the end though, Dillinger leaves listeners’ heads spinning. Not too bad for only being a four-song EP.
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