Feb. 04, 2003 Online Since 1996 Vol 77 No. 30
Should producers draw the line for violence?

COMMENTARY

Jusitn Boulmay
Multicultural Beat

    “24” is, in my opinion, one of the best shows on television.
    When it rolls around 9 p.m. on Tuesday nights, my away message is up, and my answering machine is on. I usually shut my door as well, depending on the volume level of rap music being played on my floor.
    The show, which is now in its second season, deals this year with the issue of terrorists plotting to set off a nuclear bomb in Los Angeles sometime that day, and it’s up to the main character, federal agent Jack Bauer, played by Keifer Sutherland, to stop that from happening.
    “24” offers some great plot twists, such as the only person who can help Bauer stop the bomb from going off is the same person who killed his wife at the end of last season. It’s these kinds of storylines that keep people like me tuning in for the next episode.
    Another thing the show offers is violence. I’m not referring to an occasional shoot-out scene, but the blood and gore you’d expect to find in the “Halloween” movies. For example, in this season’s first episode, Bauer shoots a suspect in the heart, then requests a hacksaw so he can cut the head off the corpse. He later stuffed the head in a bowling bag.
    This isn’t the only show on television with plenty of gore to go around. FX’s “The Shield” has certainly made a name for itself over the last year, as well as HBO’s “The Sopranos.”
    Like I said, these three shows aren’t the only noticeable ones on the air in regard to violence. Every show has it at some point or another, whether that be “Law and Order: SVU” or “Everybody Loves Raymond.”
    But how much is too much? Where should television companies like Fox, who produces “24,” draw the line, if there is a line to be drawn at all?
    There does need to be a line drawn somewhere on what can and can’t be shown on television, and it depends on the storyline. Some violence is acceptable, so long as the producers don’t excessively use it.
    I’ve looked at Web sites and heard professors on the news say that violent shows and bloody video games tend to make people more aggressive, and, to a degree, that makes sense. We as human beings are most impacted and influenced by the people and things we choose to surround ourselves with.
    Notice I said “to a degree.” Some people are more easily influenced then others. I’ve never heard of an adult growing more violent or less sensitive to violence by playing “Mortal Kombat,” while children are more likely to be influenced by what they see.
    So if violence on television and movies influences people, does that mean all violence on television should be taken out? Again, it depends on the context of the story.
    For example, “We Were Soldiers” is an excellent war movie. It retells the Battle of the Ia Drang Valley during the Vietnam War, where Lt. Col. Harold Moore, played by Mel Gibson, leads the 7th Calvary to engage the North Vietnamese Army in battle.
    The movie writers did a good job at correctly portraying the history of the battle. They also portrayed the violence as realistically as they could. One scene featured an American soldier who was hit with napalm and the skin on his legs peel off when another soldier grabs him.
    I like it when the producers of war movies do what they can to accurately capture the history behind the film, even if that means showing the violence that comes with the history. In some cases, seeing the violence on the screen makes people appreciate what the soldiers went through during the actual battle.
    Adding gore just for the sake of having something violent in the script, however, is another matter entirely. If writers and producers simply have to have it, then at least don’t overdo it. The best storylines are those that don’t need excessive blood to turn heads and make people watch.

Email Us