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The Appalachian | Archives | 2001-2002

COMMENTARY

Look past Greek letters, see true individual

As I was walking through the offices in Walker Hall, I passed a professor’s door and saw an autographed picture of Byron Cherry, Coy Duke from “The Dukes of Hazzard,” titled “Just Buffin’ the General.” When I saw the picture I was reminded of a funny story about that picture and the signature upon it.

Earlier in my college career I was walking that same path and I saw the same picture. I noticed something strange about the signature, though.
Even though it was a picture of Coy Duke, the signature was that of my friend Byron, Cherry’s son. Naturally, I had to ask “B” what was going on.

Upon my asking why his signature was on a picture of his dad, Byron began his story:

“I missed a quiz in that professor’s class that I wouldn’t be able to make up unless I could prove that I was out of town,” said Byron. “I found a picture lying around, signed it, and gave it to my professor. I told him that I was at a car show visiting my dad and then I gave him the picture as proof so I could make up the quiz.”

Byron got to make up that quiz, and to this day his signature is hanging on a professor’s door, passing for his father’s.

This is just one of many of the memories that fills my head about Byron Cherry and his friendship.

Unfortunately, Byron left us this past May in a car accident that occurred on the drive back up to Boone from Durham. To those who knew Byron and were graced with his friendship, you know that he was someone special. He had fun in life, and he was good at it.

Byron Wight Cherry was a best friend to so many because he knew that friendship is the greatest gift you can give a person. He didn’t judge people for their looks or hate someone because they were different. You were his friend until he was given a reason to be your enemy, and even then it was hard to be on his bad side for any extended amount of time.

Noah Webster defines a friend as one who supports, sympathizes with or patronizes a group, cause or movement. But a friend is so much more than that.

A friend is someone that will be there for you, to listen, to laugh, to console, to support, to respect, to understand. A friend is what everyone in this world wants—someone to be there when you need that shoulder to cry on.

When I arrived here at Appalachian I joined a fraternity, as many other young men do upon arrival into a college atmosphere. Countless times since, I have been asked, “Why do you pay for your friends?”

That to me is just an ignorant question. I did not join a fraternity because I am not social enough to find my own friends. I joined for the experience, and because many of my friends were already in the same fraternity.

If you think that joining a fraternity is about paying for your friends and for immature males, then maybe you should take a look in the mirror.

Dues are dues, monetary or not.

I personally do not introduce myself as a member of Delta Chi. It is just not my thing. I don’t want someone to judge me from the moment I meet him or her because of preconceived ideas they may have of my fraternity.

And don’t act like it doesn’t happen.

In a world where everyone is supposed to be equal, ignorance is still blinding many people. I am reminded of the old cliche “Don’t judge a book by its cover.” In a world of technology and so much diversity, we need to be able to look past physical attributes and what is on top.
We need to see someone for what they truly are, for what is in their heart.

Byron had that ability; he saw you for you, not for the character you try to play.

With Greek week in full swing, all you non-Greeks are going to see a lot of lettered shirts walking around.

If you are an independent, please do not judge anyone you see walking around with Greek letters. I challenge you to be like Byron and look past the letters. Look past the mask.

Byron shone during Greek week; it was one of his many happy times.
I personally have fond memories that fill my mind of times with Byron, but when I remember him on stage in the Lip Sync last year all I can think of is him at my side while we danced. He won’t be there this year in person.

But Byron, you will be dancing with me, and you are in the hearts of so many.


COMMENTARY

Grunge promised a refreshing break from Pop

April 8 will mark eight years since Nirvana frontman Kurt Cobain took his own life. While the death of the person is tragic, so is the death of what Nirvana represented.

In 1992, when mainstream music was dominated by spandex-clad hair metal bands and flash-in-the-pan pop acts, Nirvana was a beacon of hope to disaffected youth who found it impossible to identify with acts like Poison or New Kids on the Block. More importantly, the emergence of grunge and its popularity harkened the demise of mindless pop music, which had outstayed its welcome.

Nirvana burst onto the scene with an unheard-of brand of punk, drawing influences from bands like Black Flag, The Pixies and Black Sabbath. Bands like this thrived in the underground, practicing, promoting and playing live shows relentlessly with no budget to speak of. The entire scene captured the spirit of youth: a do-it-yourself mentality and constantly turning a deaf ear towards what was popular.
This ethos was embedded in every aspect of the genre, most notably in the accompanying style of dance.

Moshing, as it came to be known, was originally thought to be a way to relieve pent-up aggression for kids who had nowhere else to focus that rage. A circle containing upwards of 30 people running, swinging wildly and slamming into one another may seem a bit uncalled-for, but even today people will insist there is an element of family at shows like this. If someone falls, people near them will rush to pick them up and causing intentional harm to one person is unheard of.

All hope for a breath of fresh air in the stagnating music industry was snuffed out as quickly as it came. After intense overexposure to grunge commenced, it was not uncommon to see the die-hard fans of Def Leppard sporting flannel shirts and blaring “Smells Like Teen Spirit” out of their cars.

The final blow to grunge was the death of Kurt Cobain. Almost instantly, a scene had gone as quickly as it had arrived. In the year following the death of Cobain, the music industry still tried to produce new acts such as Cracker and Candle Box, but to no avail.

Even as many were proclaiming grunge was dead, a ray of light still shone through. Would up-and-coming bands take heed from Nirvana and carry on the torch of underground music? Eyes turned to Cobain’s wife, Courtney Love. At the time of Cobain’s death, her band Hole was gearing up for the release of their latest album, “Live Through This.” The surviving members of Nirvana also had projects on the
horizon, such as drummer Dave Grohl’s band Foo Fighters.

Eight years later, what does music have to show? Hole is enjoying radio airplay next to bands like N’Sync. The Foo Fighters just performed their MTV-friendly brand of pop at the Winter Olympics.
MTV is flooded with macho-rock staples like Linkin Park, whose concerts have turned the idea of a mosh pit into nothing more than a wrestling match filled with drunken fights and gang mentalities.

Granted, many hard rock mainstays have cited Nirvana as an influence on their music, but what message does their music convey? We can look to a band like Limp Bizkit with their awe-inspiring anthem “Break Stuff,” or any number of clone acts who present nothing more than played-out themes of teenage angst and womanizing. How did the music of such an insightful, sensitive person get twisted into what is now considered the predecessors of that era?

The state of music today is the exact same as it was eight years ago, except that this time around, Poison has been replaced by Disturbed, and the Backstreet Boys are the newest kids on the block.

So when will a new voice come break down the doors of corporate music and start the fight against pop?

OUR PERSPECTIVE

Dueling surveys
Campus effort better blueprint than Easley administration-spawned survey

A recent survey conducted by The Committee for Integrity at Appalachian (CIA) showed 458 rape incidents have occurred in the last four years at Appalachian.

The survey, showing Appalachian is on par with the national average, was compiled from phone and personal testimonies from 540 women who have attended Appalachian less than eight semesters.

The rape survey was modeled after a similar study done in 2000, which was funded by the U.S. Department of Justice. Although revealing numbers that are shockingly high from previous surveys and police reports, this survey seems to give an accurate representation of the total student body average.

Another survey, completed as part of the CAMPUS grant received from the Governor’s Institute for Alcohol and Substance Abuse, was conducted through random e-mails to 1,600 Appalachian students.

It reported that 88 percent of students have never tried any drug other than alcohol and 25 percent never drink.

Only 631 students responded, which was a much lower response rate than surveys completed by Wellness Center graduate students in previous years.

The survey was designed to help spark awareness of underage drinking and further educate students of alcohol awareness on campuses across the Tar Heel State.

However, the random e-mail method used in conducting the Easley administration-spawned survey is not an effective means of garnering a true picture of drug or alcohol use on a university campus.

While we acknowledge all surveys have inherent flaws—as indicated by each survey’s respective margin of error—we challenge university officials and others within the university community to use the framework of the rape survey as a blueprint for future survey endeavors due to its personal approach in obtaining more accurate results.

If university officials wish to spend resources gathering such data, we feel the time, labor and funds should be devoted to efforts that truly depict daily realities on Appalachian’s campus.

The Rape Survey meets this criteria due to the manner in which the data was collected. The flawed nature of the Easley-spawned Health Survey all-but guarantees results that distort those realities.

If those initiating surveys tout as their primary goal changing the culture of a university campus, such a task requires university officials and student leaders to tackle reality, however damaging to the school’s image such a study may be.


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